Dua Lipa, pop’s disco sophisticate, rides her ‘Radical Optimism’ into the Forum

In a pop era where personal messiness is the oxygen of fame, Dua Lipa is the rare unfazed professional.

Just as Taylor Swift and Charli XCX’s (extremely asymmetrical) feud spilled over the Hot 100 trenches, in comes Lipa’s Radical Optimism tour for four nights at the Forum to reassert that it is, in fact, possible to spin off hits while leaving one’s personal life unscathed.

On Saturday at the opening night of her Forum stand, Lipa — herself a British-Albanian-Kosovar atelier of sophisticated, structurally flawless disco-pop — played for nearly three hours with nary a sweat broken. The club hits pulsed, her dancing was evocative and precise, and the set was again punctuated with a locally-sourced cover from each city she performs in; this time “The Chain” from Fleetwood Mac. (Other recent installments included “Me Gustas Tú” by Manu Chao, AC/DC’s “Highway to Hell” and “Dernière Danse” by Indila.)

Even if the gyre of contemporary fandom demands mess, spite, flops and redemption arcs, Lipa glides over all of it, with morally sound politics and an immaculately tasteful book club to spare.

Dua Lipa takes her Radical Optimism tour to the Forum over the weekend.

(Madison Phipps)

This tour in particular feels like the moment when Lipa is opting out of the rise-and-crash fame cycle and into becoming more of an album artist and deeply considered live act. The hazy disco-rock of “Radical Optimism” (produced with tastemakers Kevin Parker, Andrew Wyatt and Danny L Harle, among others) hit No. 2 on the Billboard 200, her best album debut yet. But it didn’t yield era-defining singles like the pandemic lifesaver “Future Nostalgia” did.

That’s a tough act for anyone to follow up; she should have been on the NHS payroll for the good that “Don’t Start Now,” “Levitating” and “Physical” did in keeping spirits up in 2020. Her last U.S. top-10 single was 2023’s “Barbie”-soundtrack cut “Dance the Night,” and “Houdini” peaked at 11. Yet this tour sold out four nights in L.A. and is unquestionably the most creative, rigorous and musicianship-driven tour of her career.

With a sprawling live band and big moments of unvarnished vocal candor, this was pop at its highest caliber, but with an eye toward long-term durability and integrity. During the set, Lipa took at least two passes around to the front rows, pressing the flesh and taking selfies with gobsmacked tweenage fans. No algorithm will match that for an impact.

From the opening calisthenics of “Training Season” and “Break My Heart,” Lipa ripped through a quiver of deep-house and neo-disco staples to fuel Pride parties for the rest of her life. Those early memes about her terminal chillness must have lighted a fire under her: Lipa’s revamped as one of the top-tier dancers and physical performers of her era, while never shortchanging that smoky ‘90s house-diva vocal power. No singer deserves a Pilates Reformer endorsement deal more.

Dua Lipa makes a stand at the Forum on Saturday night.

(Madison Phipps)

On the poignant breakup-in-waiting ballad “These Walls,” the stiff-upper-lip rock bombast of “Happy For You” and her pass through “The Chain,” she made the case that her range extends well beyond the fizzy, watchgear-precise electropop she’s best known for. On record, “Anything For Love” gets a knowing wink with in-studio jibing between Lipa and her producers; here she played it straight as a lofty piano ballad for the back seats on a floating riser.

But there’s something just so effortless about her Majorca-primed house singles like “Maria,” which feel ready to slip into magic hour rooftop DJ sets for time immemorial. There are other singers to turn to when you’re emotionally ransacked; Dua gets the best nights of your life instead.

Encoring with the still-freaky, deliciously disciplinarian “New Rules” and the laser-cut banger “Houdini,” Lipa walked off the Forum stage with all the proof she needed that, by aligning with a fervent literary life, unwavering peace advocacy and an expanding palette of meticulously groovy songwriting, she’s in an enviable position for a long and meaningful career to come. Let the woman vacation in peace.