Why Ben Stiller won’t be directing on ‘Severance’ Season 3
βYouβre gonna need a bigger boat.β Pause. βYouβre gonna need a bigger boat.β
Ben Stillerβs phone is buzzing. Each time someone sends a text, it alerts him with the sound of Roy Scheiderβs police chief, Brody, telling Robert Shawβs Quint that his vessel, the Orca, is not of sufficient size to deal with the 25-foot great white shark he just saw popping out of the Atlantic.
Stiller apologizes and silences his phone, which continues to vibrate busily on the table.
When we first met in early June, Stiller was in the thick of writing and prepping the next season of βSeverance,β the sci-fi drama that led all TV series with 27 Emmy nominations this year. He was also putting the finishing touches on a documentary about his parents, Jerry Stiller and Anne Meara. And in a few minutes, heβd be driving over to Rob Reinerβs house to shoot an interview about βThis Is Spinal Tap.β (βStill so frigginβ funny,β Stiller says.) Any one of these things would be enough to repeatedly summon the voice of Chief Brody.
But as the flurry is arriving the day after the New York Knicks fired head coach Tom Thibodeau, and as Stiller sits alongside Spike Lee and TimothΓ©e Chalamet in the firmament of celebrity New York Knicks fandom, this is probably about Coach Thibs.
βThese things take time to come together,β Stiller says of the numerous ambitious projects he has in the pipeline. βAnd the older you get, the more you realize that you only have so much time.β
(Shayan Asgharnia / For The Times)
βBeing a Knicks fan is probably overshadowing the rest of my career β which might be a good thing,β Stiller jokes. He shakes his head. βItβs like an addiction.β
Stiller was just at Game 6 of the Eastern Conference finals in Indianapolis when the Pacers eliminated the Knicks. Heβs still depressed. Seriously. Itβs like a bad breakup. Where there was once joy, there is now only pain and absence. Itβs over, and the bill has come due.
Stiller and his 20-year-old son, Quinlin, really got into watching the games this season, years after Quinlin tapped out because being a Knicks fan is hard, what with the teamβs legacy of failure and heartbreak. Stillerβs wife, Christine Taylor, became equally invested. They went through the highs and lows together, which helps, Stiller says. If something is going to take over your life, you might as well make it a family affair.
βIf weβre working, you always know itβs game day because Ben and John Turturro will be gathered around a phone in between takes,β βSeveranceβ star Adam Scott tells me. βItβs deeply important. Iβm actually envious of their passion.β
What if the Knicks had beaten the Pacers? Would we even be sitting here in L.A. talking right now, I ask. Wouldnβt you be at home watching the finals?
βThere was a window,β Stiller says. βI would have been OK.β He starts laughing and tells me about a meeting he recently had at Netflix that coincided with one of the Knicksβ playoff games. It was one of those sit-downs where you, the talent, talk about your dream projects and what youβve got cooking and see if thereβs maybe mutual interest.
βIt was hard to concentrate,β Stiller recalls. βLuckily, they understood because theyβre also fans. They got it.β He pauses. βBut I think Iβm going to be working at Apple because of that meeting. I was so distracted.β He laughs long and hard at the memory.
Stillerβs parents, comedy duo Anne Meara and Jerry Stiller, are the subject of his upcoming documentary βStiller & Meara: Nothing Is Lost.β
(Ron Galella / Ron Galella Collection via Getty)
At this point, you might consider staging an intervention, save for the fact that Stiller is one of the most together human beings youβll ever meet. When we reconnected earlier this month, heβd finished the doc about his parents, βStiller & Meara: Nothing Is Lostβ (arriving in October), was prepping a World War II survival feature film heβll be shooting in the spring and was just about to start the next βMeet the Parentsβ movie, βFocker-in-Law.β He was also still burrowing into βSeveranceβ Season 3, though, for the first time, he wonβt be directing any episodes because heβll be making the war movie.
βIβm at the point in my life where Iβm like, βThe clock is ticking,ββ Stiller says. And, OK, weβre actually talking about whether heβll be alive to see the Knicks win another championship β it has been more than 50 years β but the point remains valid. Heβs going to turn 60 in November. Itβs a daunting milestone.
βSixty sounds old. Itβs hard to get around it,β Stiller says. βAnd of course, itβs that other thing of, like, you know what the next one is.β He laughs. ββOh, sβ.ββ
So, no, there are no firm plans to mark the occasion come November, though Taylor has asked. Stiller has never been one to celebrate birthdays anyway, preferring to use the occasion to take a little stock. He tells me he thinks about listening to an Elton John album, say βCaptain Fantastic and the Brown Dirt Cowboy,β and realizing it came out 50 years ago. And if you asked someone in 1975 about music in 1925, would they be able to say, βLouis Armstrong and His Hot Five were far out, manβ? Because thatβs how they talked half a century ago. Time marches on. You canβt escape it. When Stiller shoots βFocker-in-Law,β heβll be older than Robert De Niro was when they made βMeet the Parents.β
Stiller, right, is now older than Robert De Niro, left, was when they faced off in the 2000 movie βMeet the Parents.β Stiller is set to star in the forthcoming sequel βFocker-in-Law.β
(Phillip V. Caruso / Universal Pictures)
Which prompts Stiller, ever the pragmatist, to think, βTime is valuable.β Thatβs why he and βSeveranceβ showrunner Dan Erickson and the writing team have been spending much of the year planning Season 3 so that Stiller can step away and direct this feature film that tells the true story of a downed airman in occupied France and how he got involved with the French Resistance. Stiller also wants to make a movie based on the Rachel Maddow podcast βBag Man,β detailing the bribery scandal surrounding Spiro Agnew, Richard Nixonβs vice president.
βThese things take time to come together,β Stiller says, βand the older you get, the more you realize that you only have so much time.β
Making the documentary about his parents, an idea that crystallized after his father died in 2020, reinforced that belief. Stiller & Meara were a hugely popular comedy team in the 1960s before going their separate ways professionally in the 1970s. Married from 1954 until Mearaβs death in 2015, they balanced their creative impulses with a commitment to their marriage and two children. (Stiller has an older sister, Amy.) It wasnβt always easy, and the documentary explores the challenges they met to stay together, pressures that Stiller eventually faced too as a husband and father.
βMy parentsβ marriage really did affect me in terms of how I thought about our relationship,β says Stiller. He and Taylor separated in 2017 but moved back in together during the pandemic, eventually reconciling. Stiller wasnβt planning on talking about his own marriage in the doc, but the parallels made it unavoidable, particularly as both of Stiller and Taylorβs children β Ella and Quinlin β have gone into acting as well.
(Shayan Asgharnia / For The Times)
Jerry Stiller was protective of his sonβs showbiz ambitions, so much so that if a critic gave Ben a bad review, Jerry would sit down and fire off a letter. Or if Ben was up for a job, Jerry would put in a call on his behalf. When Stiller was attending UCLA, he applied for an internship with Alan Thickeβs late-night talk show, βThicke of the Night.β And Jerry called the producer, telling him heβd be making a big mistake if he didnβt hire his son.
βIt would drive me crazy,β Stiller says. βHe was the most loving dad, but some of that stuff is just a rite of passage you have to go through yourself. I remember the first play I was ever in, βThe House of Blue Leaves,β and John Simon with New York Magazine panned me and Christopher Walken in one sentence. And I thought that was pretty cool because I knew Christopher Walken was amazing.β
Stiller doesnβt believe heβs an overprotective dad. Am I going to be hearing from your kids to the contrary, I ask.
βOr from Jerry Stiller in the Great Beyond?β Stiller continues, finishing the thought with a laugh. βI donβt think so.β
His daughter, Ella, just made her off-Broadway debut in βDilaria,β a dark comedy about the destructive relationship between two young women obsessed with social media. Watching her onstage was a little surreal, Stiller says, for many reasons, not the least of which being the playβs explicit language and themes. But seeing his daughter so thoroughly enjoy herself and having the feeling that she was really capable (βI knew I was in good handsβ) filled him with a joy he imagines his parents felt early in his career.
Of all the things Stiller has going now, he might be most nervous about the βFockerβ movie, only because he hasnβt acted much the last several years and realizes that itβs challenging to make a sequel that stands as its own story. Years ago, he talked about his Mt. Rushmore of actors β De Niro was on it, of course, along with Gene Hackman, Al Pacino and Dustin Hoffman. Pacino is the only one he hasnβt worked with, though he came close, reading for βAuthor! Author!β with Pacino at the Regency Hotel when he was 15 years old.
Stiller did have dinner with Pacino recently. He thinks this may sound weird, but he found Pacino to be a lot like his dad.
βThey have the same warmth and generosity and love of the theater,β Stiller says, smiling. βAnd when he talks about actors and their work, heβs so openhearted about it.β
We both love Pacinoβs memoir, βSonny Boy,β and we talk about how much we enjoyed listening to his off-the-cuff reading of it on the audiobook.
βJust the best,β Stiller says. βIt made for such good company. Iβd love to work with him.β
He is a big fan of βSeverance.β Might Pacino show up at Lumon Industries someday?
βThatβs not the first time thatβs been spoken of,β Stiller says.
New employee?
βNew department,β Stiller answers. We look at each other, waiting to see who blinks first. βI mean, you never know.β
(Shayan Asgharnia / For The Times)