‘Wednesday’ Season 2 review: Netflix show can’t recapture the magic

Young adult comedies are best when the misery of high school is paired with other extreme types of terror — a plane crash, a supernatural mystery, vampires. “Wednesday,” Netflix’s Addams Family series, did just that and more when it premiered in 2022, combining sardonic wit, smart casting and murder in a beautifully macabre setting influenced by producer and director Tim Burton. Jenna Ortega stars as the Addams’ dark-hearted daughter. Her deadpan delivery and zombie prom dance solidified “Wednesday” as one of the year’s best and liveliest funerary comedies.

The second season of “Wednesday,” Part 1 of which debuts Wednesday followed by Part 2 on Sept. 3, finds the show’s namesake back at Nevermore Academy, where she’s faced with challenges familiar to last season. She must navigate the idiocy of her high school peers while solving a metaphysical murder mystery.

But there’s a new twist that threatens to undermine the unflappable protagonist, and it’s a teenager’s worst nightmare — even for a girl who enjoys night terrors. Wednesday’s weird family is headed to school with her. Brother Pugsley (Isaac Ordonez) is a Nevermore freshman and her parents Morticia (Catherine Zeta-Jones) and Gomez (Luis Guzmán) are helping with fundraising and such. Oh the horror.

Jenna Ortega’s Wednesday Addams “dance dance dances with her hands, hands, hands” in “Wednesday” Season 1.

(Netflix)

Season 2 follows many of the same formulas, replete with eviscerating comebacks from Daddy’s Little Viper. When her new high school principal, Barry Dort (Steve Buscemi), asks if she’d like a Nevermore Academy spirit sticker, she responds, “Only if you have one that says ‘Do Not Resuscitate.’” And when describing her underachieving brother’s shortcomings, she says, “He’s got the brains of a dung beetle and the ambitions of a French bureaucrat.”

But it’s impossible to recapture the magic of the first season, and “Wednesday” Season 2 isn’t quite as crisp or surprising. In the first four episodes made available for review, Wednesday’s zingers aren’t as wickedly sharp as they once were. And because we know she’s going to be annoyed by her classmates, such as perky werewolf roommate Enid (Emma Myers), the dynamic is not as morbidly charming.

The bond between Addams family members, however, is more deeply explored and their dysfunctional interactions add a new layer of contemptuous humor to the mix. The relationship between Wednesday and Morticia is strained, and not just due to the usual disgust teen daughters have toward their mothers. “When do I get to read your novel?” asks Morticia of her daughter’s work in progress, “Viper de la Muerte.” Wednesday’s inner voice answers, “When the sun explodes and the Earth is consumed in a molten apocalypse.” Her outside voice? “Soon, Mother. Soon.”

Morticia is worried about Wednesday’s increasing use of her psychic powers because similar abilities drove another family member mad. Her daughter is showing troubling signs such as black tears streaming from her eyes each time she has a psychic episode — though it’s a good look, especially for those contemplating their next Halloween costume.

We thankfully see a lot more of eccentric Uncle Fester (Fred Armisen owns this role) as he helps Wednesday solve her latest case, sometimes using the benefit of his telekinetic powers. Christina Ricci, who played Wednesday in the 1991 film, is also back. The deranged villain from Season 1 is now a deranged inmate.

Welcome new additions include Grandmama Hester Frump (played by Joanna Lumley of “Absolutely Fabulous”), Morticia’s immaculately coiffed mother and wealthy mogul who owns Frump Mortuaries. She’s cold, conniving and happy to cause a deeper rift between her granddaughter and daughter. And in a perfect casting move, Christopher Lloyd, who played Fester in the film, appears as a disembodied head in a jar who teaches at the academy.

Thing, the lone hand played by Romanian magician Victor Dorobantu, perhaps has the most screen time of anyone. Season 2 opens with the stitched-up appendage beating the hell out of a serial killer. It’s at once satisfying and stupidly hilarious.

As for the plot, it’s much the same as last season. There’s another mystery to solve, but this time it involves killer surveillance crows, a hooded stalker and at least a few visits to an insane asylum. There’s also a walking dead character added to the mix, so expect gore in the form of goo, brains and bugs.

But it’s really the performances, casting and artistic flourishes that make “Wednesday” a ghoulish delight. A short ghost story about a boy with a clockwork heart buried under the Skull Tree is told via Burton claymation, in black-and-white, in the spirit of “Frankenweenie.” It’s beautiful, sweet and sorrow-filled. “Wednesday” isn’t what it was and that’s OK. It still works as spooky comedy about a girl and her severed hand.