How ‘The Secret Agent’ found TΓ’nia Maria, other cast members

How ‘The Secret Agent’ found TΓ’nia Maria, other cast members


For casting director Gabriel Domingues, putting together the ensemble of β€œThe Secret Agent” meant materializing characters inspired by director Kleber MendonΓ§a Filho’s recollections.

β€œIt’s not that he was showing us a picture and saying, β€˜They must look like this.’ They were ideas of memories that could change,” Domingues says of the Brazilian period thriller about a father on the run during an interview at The Times newsroom. One of the nominees for this year’s inaugural Academy Award for casting, Domingues appreciates how politically charged MendonΓ§a Filho’s films are. His narratives are often fertile ground for an eclectic mix of performers.

And there are no throwaway roles in β€œThe Secret Agent”: β€œEven the small characters represent ideas about Brazilian life and its contradictions,” Domingues adds.

To honor his large cast, a β€œpanorama” of his country’s people, MendonΓ§a Filho includes a montage at the end of the film in which each actor is acknowledged individually. The director thinks of this as the cinematic equivalent of a curtain call or final bow at the end of a stage production.

β€œGabriel tries to find an interesting mix of experienced actors and people that we can discover,” says producer Emilie Lesclaux about Domingues, with whom she’s worked on multiple projects. He first collaborated with MendonΓ§a Filho and Lesclaux on β€œAquarius” as a casting assistant.

Domingues believes working on β€œAquarius” was instrumental in developing his casting method, which involves searching for the least obvious option to cast the character. He prides himself on doing the shoe-leather work of looking for fresh, compelling faces in cities where others might not think to look β€” those without a prominent arts scene, for instance.

That’s not to say the entire cast was discovered. MendonΓ§a Filho had lead Wagner Moura in mind from the outset, while others sprung to mind as he wrote the screenplay: Maria Fernanda CΓ’ndido, a famous soap opera actor, as a crucial ally to Moura’s character; and the late Udo Kier, who had previously appeared in the director’s blood-soaked film β€œBacurau,” as a German Jewish immigrant who lived through World War II.

The filmmaker admits that envisioning parts with a specific person in mind is β€œdangerous.” β€œI can write a character thinking of you, but I never know if you will want to make the film,” says MendonΓ§a Filho. β€œAnd I grow attached to the image.”

Among the other supporting roles, the most challenging to cast, the team agrees, was that of Euclides, the sleazy police chief. Though the character is β€œrepulsive,” it also required an edge of charisma to make him more emotionally layered. Eventually, they came across actor RobΓ©rio DiΓ³genes. β€œRobΓ©rio has studied the clown art in the theater, and he’s a very funny guy, so he adds a component of ridiculousness to this character,” Domingues says.

For Vilmar, an impoverished man hired as a subcontractor for a murder, MendonΓ§a Filho had in mind a real-life contract killer he’d seen in a 1970s TV program. The actor had to convey a certain ambiguity not often afforded to people of a lower social class. There’s no doubt Vilmar is acting out of necessity, but he is not entirely without agency since he negotiates his payment. Domingues found the ideal embodiment of this complex character in Kaiony VenΓ’ncio, an actor from the city of Natal who had mostly worked in short films.

Then there’s the scene-stealing TΓ’nia Maria, who plays the endearing, chain-smoking Dona Sebastiana. The 79-year-old talent first appeared in β€œBacurau” as an extra. β€œI just could not help thinking of her,” says MendonΓ§a Filho about casting her in his latest film. β€œI even pre-ad-libbed many of her lines knowing what she might say.”

Before finding her way onto the screen, TΓ’nia Maria has long made a living as an artisan handcrafting rugs. β€œI never thought about being an actress. I only thought about sewing,” she says with an endearing smile. β€œAll of this came as a surprise.”

And though she’s still sewing, her acting prospects look bright. She’s already appeared in another film, β€œYellow Cake,” premiering at the Berlin International Film Festival this month. That TΓ’nia Maria also recently starred in humorous local commercials for Burger King and Heineken is proof of her current status in Brazilian pop culture β€” as are the Dona Sebastiana costumes that have become popular during this year’s Carnival.

β€œI can’t go out on the street without people stopping me. They ask me for autographs, for photos, they want to talk to me, they ask me questions,” she says in Portuguese via an interpreter while on a video call from her home. β€œI make time for everyone, and I’m enjoying all of it.”

Undaunted by what she calls the most challenging aspect of acting β€” memorizing the lines β€” TΓ’nia Maria is eager to continue exploring this unexpected new facet. β€œI don’t want to stop because I’m not old! I’m waiting for more invitations to move forward in acting,” she says.

The success many of the actors have found thanks to β€œThe Secret Agent” very much pleases the filmmakers, but it also has a major downside.

β€œThat’s all that we want for the people that we work with, that the film is good for them and their career,” says Lesclaux. β€œBut for us, it also makes things more complicated for the next film because we will want to work with them, and they might not be available.”



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