‘100 Nights of Hero’ review: Charli XCX hasn’t found the right movie yet

‘100 Nights of Hero’ review: Charli XCX hasn’t found the right movie yet

β€œAre you ready? Then we shall begin.” This narration, over an image of three moons hanging in the sky, begins Julia Jackman’s β€œ100 Nights of Hero,” which she adapted from Isabel Greenberg’s 2016 graphic novel and directed. It signifies that we’re in for a level of heightened, self-reflective fantasy storytelling and, in fact, the revolutionary…

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‘Merrily We Roll Along’ review: The movie version isn’t just filmed theater

‘Merrily We Roll Along’ review: The movie version isn’t just filmed theater

Coming to you from the opposite end of the movie musical spectrum from where β€œWicked” perches is Maria Friedman’s compact, propulsive film of her acclaimed revival staging of Stephen Sondheim’s β€œMerrily We Roll Along.” The revered composer’s 1981 musical is that canon rarity: a flop (as in, it closed two weeks after opening) that over…

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‘The Abandons’ review: Adversarial matriarchs tread old western ground

‘The Abandons’ review: Adversarial matriarchs tread old western ground

Ah, the western. That great American canvas, upon which many sorts of motion pictures have been projected, stretching back to the very beginning of the medium: adventure, romance, comedic, serious, simplistic, artistic, racist, revisionist, historical, metaphorical, low-budget, big-budget, dark, light, set in a wild landscape or on the edge of it, where the deer and…

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